MARVEL'S QUIRKIEST TITLE -
BSC, CA – Back in the day, Marvel Comics, who started showing story credits in the industry and giving headaches to superheroes, had two great artists to hang their hats on. One was Jack Kirby, whose bigger than life illustrations were 3D before 3D. His panel-busting drew you into the action with comic drawings that stood out and made your blood pump. His figures, from The Avengers to The Fantastic Four, practically leaped off the page and into action right before your eyes. You went to the next panel because you had to.
The second Marvel artist that was great [imho] was Steve Ditko, whose style was kind of the opposite of Jack's. Steve Ditko was the master of the small panel and its emotion. Both artists used their visuals not to just tell a story but to show the perspective of it. Jack was the big picture, Steve Ditko was the small screen. It was this precise perspective that led to the success of Spiderman as the downtrodden, misunderstood superhero persona. Ditko's art visuals did as much to create this image, perhaps more, as did the story plot script written by Stan 'The Man' Lee. Using different exclamation lines around the hero's head almost cartoon-like totally illustrated Peter Parker's angst in a way no other artist could have.
However, if the grandest sights were Jack Kirby's cigar chomping Nick Fury, shield-slinging Captain America, or the soap-opera Fantastic Four battling Galactus, then Steve Ditko had The Amazing Spiderman and Dr. Strange, with the latter title being his tour-de-force artistically. Ditko's art style fit like a glove and soon the unique title where action rarely took place in the outside world, was a cult hit, me included and this was way before Chapter 7 [Memoirs of Mr. Pete & Mary Jane Green]. Dr. Strange is the second of my planned movies to see this holiday season.
Almost as with Guardians, this movie is off the beaten path from super heroes and even Thunder gods, so when that grounding element is thrown back in, it jars you a bit because you are lost in a movie that feels nothing like a comic book based story idea. Even Guardians had Flash Gordon, Buck Rodgers, Star Trek, and Star Wars to hang a hat on. Dr. Strange is completely different. It didn't deal with outer space, it deals with inner space. The comic book graphics done by Ditko have certainly been captured effect-wise because you get lost in the Inception-on-steroids screen action. The energy field areas of glowing color flows have been updated to digital sacred geometric lines of energy shields.
Equally absorbing is the adult dialogue of esoteric values which are explored for their cause and effect. The subtleties of the magic realm are hinted at, like certain 'laws' not to violate or what things to take seriously, are sourced out as well.
Shown also are the origins of Dr. Strange, several of his trademark relics, and his reoccurring nemesis, Baron Mordo. Dr. Strange is a movie to see twice because while it has plenty of action and there is never a dull spot, it is as stand-alone and stand out as GofG was, but on a more cerebral plain that speaks more of what we have seen glimpses of all our lives on this planet. That world that is just around the corner of your mind. And it does exist. It's just that Hollywood gives a grand gesture to it that entertains as it gives you the answer to life. Surrender your ego and open your mind. Trust me when I say that is a lot easier said than done. It makes for great theater though and this movie stays true to the character that I remember.
One spoiler – Yes, there is a Stan Lee cameo but look quick for it. Probably the local PTA complained about his last cameo [or two] with the young girl, lol. Just kidding, Stan.